Tag Archives: documentary

Matinee

One of the many advantages of a) working from home and b) having HBO is being able to watch Oscar-nominated documentaries during lunch.

Today’s featured selection:  The Tsunami and the Cherry Blossoms.

tsumani and cherry blossom posterI’ll admit that I had not heard of this film before I saw it listed on HBO OnDemand.  If perchance you haven’t either, I strongly encourage you to invest the short 40 minutes required.

Director Lucy Walker chronicles the tsunami that devastated Japan on March 11, 2011.  Survivors share their stories of loss, and work together to rebuild their communities — already making progress a mere month after the storm hit.

And what are the ‘cherry blossoms’ in the title, you ask? I’ll let you watch the film and find out. 

It is a vital part of their history and culture, and one reason a tsunami could never break the Japanese people.

The rest of the story

I was in the mood for basketball this morning, but the UK-Florida game wasn’t slated to start on CBS until noon ET.

Then I discovered Prayer for a Perfect Season.

prayer for a perfect seasonThe notes said the HBO documentary follows the St. Patrick’s High School basketball team in their quest for the 2010-2011 national championship.  St. Patrick’s is located in nearby Elizabeth, New Jersey, so I gave it a look.

Imagine my surprise when the star of the St. Patrick’s Celtics team was none other than –

Michael Kidd-Gilchrist

I should say Michael Gilchrist, because he went by that moniker as a high school senior. It wasn’t until he began his collegiate career at the University of Kentucky that he added the ‘Kidd’ in memory of his uncle, who died during the filming.

michael kidd-gilchristOn the day he signed his UK national letter of intent, in fact.

The documentary cameras capture Gilchrist, his St. Pat’s teammates and their families in moments both high and low.

And while I may have watched Michael Kidd-Gilchrist in his NCAA Championship season at Kentucky last year, I feel like I know him a lot better today.

And appreciate him even more.

Silent no more

Like everyone, I was surprised by the news of the Pope’s resignation.

But how did I miss the documentary Mea Maxima Culpa: Silence in the House of God?

mea-maxima-culpa-silence-in-the-house-of-god-470-75It was released in November of last year. But yesterday’s headlines from Rome brought director Alex Gibney’s film back to the forefront. It’s available on HBO OnDemand, so I’ve already watched it.

What a revelation.

Gibney examines pedophilia in the Catholic Church, beginning with the first known clerical sexual abuse at a deaf school in Milwaukee in the late 1950′s, and traces it all the way to the Vatican.

Of particular interest, the documentary documents the role Benedict played in the sex-abuse scandals — both as a bishop in Germany and as Cardinal Ratzinger, where he headed the Congregation for the Doctrine of the Faith, which handles such cases.

Under his leadership, the church shielded priests accused of child molestation and hid their behavior from the authorities, obstructing criminal prosecution.

It’s not an easy film to watch, but the bravery of these deaf students — now grown men — is inspiring.

Their voices have finally been heard.

Dance, dance baby

I love a good documentary on a Saturday morning.

And First Position, which is currently in theatres and available OnDemand, is great.

The feature film documents the journey of six young ballet dancers as they attempt to qualify and compete in the Youth America Grand Prix in New York City, the most prestigious youth ballet competition in the world. 

This contest isn’t just about trophies or medals; it’s serious business.  The winning dancers receive full scholarships to top ballet schools and contracts to the most prestigious ballet companies in the world — jobs that are few and far between.

The filmmakers have amazing access to the dancers at home, in the rehearsal studio, and in the wings before, during and after their competition performances.  It’s pretty incredible…and no small wonder the documentary was named the audience choice’s first runner up for Best Documentary at the Toronto Film Festival where it premiered.

See?  Told you it was great.

Checking the gate

I happened upon a documentary the other morning on Sundance Channel that I highly recommend.  I should be less surprised that it is about a church.

(It was Sunday, after all.)

An Audience of One follows Richard Gazowsky, a Pentecostal pastor from San Francisco who used donations from his congregation to found a movie studio and production company.  He said he received a vision while praying on a mountaintop to spread the Gospel through filmmaking.

Stone tablets are so B.C.

The documentary begins as Gazowsky and his followers are in pre-production on their full-length feature, Gravity: The Shadow of Joseph, described as a ‘biblical science fiction.’

The movie poster tagline reads “filmmaking is hard.”  Gazowsky would no doubt agree.  During principal photography, the novice director only manages to get two scenes in the can during their five days on location in Italy.

Cameras jam. Cranes freeze. Cords snap. Tempers flare.  Of course, you see that kind of ‘tech diff’ on film sets all the time.

What makes Audience of One a must-see is watching Gazowsky lead his congregation on this journey.  Despite the setbacks, the lack of funds, and — let’s face it — the project’s absolute and total failure, the preacher constantly spins the story in such a way, his followers never blink.

Even though the movie is never been made.  Even though their major investor never comes through.  Even though the city shuts them down.

They call it faith.  But on camera, under the harsh glare of the lights, the delusions are harder to disguise.

Russian revolution

I love Ray Romano.

And apparently, so do the Russians.

The sitcom Everybody Loves Raymond, which was loosely based on the lives of Romano and producer Phil Rosenthal, ran for nine seasons on CBS.  It was nominated for the Best Comedy Series Emmy seven times and won twice.

When they decided to end the series in 2005, it was still in the Top 10, a spot it had occupied since its third season on the air.

Exporting Raymond is a documentary that opened in very limited release in movie theatres last Friday.  It follows Rosenthal’s efforts to produce a Russian version of the sitcom… which is probably even more difficult than you would think.

And really, really funny.

This isn’t a documentary about Ray Romano.  He’s not in it, except in copious clips from the sitcom.   This is Phil’s baby, and he — who I had never seen on camera before — is hilarious in his own right.

He’s wide-eyed and nervous and tentative.  I definitely saw flashes of Woody Allen in his manner (thankfully without the annoying stammer).  But when it comes to Everybody Loves Raymond and helping it come alive for the Russian audience, he is strong and certain and somewhat single-minded.

Goodness knows he runs into obstacles.  The studios there look like bombed out buildings.  The writers and actors are doing two or three shows simultaneously and have extremely limited time and resources.  And the people ‘in charge’ bring somewhat questionable expertise to the table.

It takes a translator, vodka, a kindly driver, a real Russian family, more vodka, and a bit of give-and-take before the pilot episode is complete.   The entire process is really fascinating to watch.

So, how was the Russian version of Raymond received?  I shouldn’t tell you the end.  (Let’s just say it lives up to its name.)