“Guilty Pleasures” week on Dancing with the Stars has been fun on a couple of levels.
(Yes, I am just now catching up on DVR.)
First, it’s fun to see what cliche songs ‘speak’ to the celebrities. The theme to Titanic. Copacabana by Barry Manilow. Disco anthems.
Stars…they’re just like us.
Which leads to the second thing I enjoy — imagining what song I would select in the same circumstance.
The Barry Manilow song catalog would be a good place to start, although probably one of the love ballads like Ships or Weekend in New England. Or maybe I would pick a hit from the Kansas ‘Point of No Return’ album.
I thought they were very deep at the time.
Or we could always pull out the soundtrack to Les Miserables.
Bring Him Home should score a ’10′ with the judges.













This just in
A few of my friends — okay, really just one, but I hate to name names — have had a lot of fun on Twitter slamming Aaron Sorkin’s new HBO series The Newsroom.
But when he repeatedly tweetslaps –and retweetslaps — The Newsroom?
I cannot stand idly by.
Now, even I will admit the pilot was an explosion of exposition and classic Sorkin sermons. But if we wrote off every series’ first episode for being exposition-heavy, the Harry Potter movies would have ended at Sorcerer’s Stone.
You have to establish characters before you can build relationships. That’s a given.
For those of you lucky enough to have stuck around for Sunday night’s episode of The Newsroom, your patience was rewarded. Fewer sermons. More focus on the relationships in the newsroom (which, if you’ve worked in one, do blow up like that from time to time). Even some cultural references to add to the fun. And did a few of you shed a tear at the ending?
I’ll take that bet.
And I’ll be DVRing The Newsroom this season. And next.
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